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2026 Debut Books

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Showing 181–200 of 323 resultsSorted by price: high to low

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  • The cover for Double Happiness depicts an illustration of a young, thirty-something Asian American woman with red lips and sunglasses, with a backdrop of the Manhattan skyline. Two yellow bubbles to the upper right and lower left of her depict the silhouettes of her two love interests. The Chinese character for "love" is also shown twice on the cover in vibrant yellow. The title, "Double Happiness," and the author's name, Heather Eng, are written in a bold sans serif font.

    Double Happiness

    May 19
  • Cover for The Night Hunter showing leopard in tree.

    The Night Hunter

    July 28
  • Cover for Death in Verse, showing an illustrated girl with rusty red hair and wearing a dress and black sweater standing in a library and holding a book. Her hand touches the pages and ink flows up into the library, where pages swirl around the room. Standing before her is a nonbinary Chinese person in a coat and pants watching her. Beyond the library through the window, rain falls on a forest landscape. The book title and author's name are written in a bold font in all capitalized letters.

    Death in Verse

    September 22
  • Cover for The Color of Time by Millie Abecassis, showing an illustrated canyon landscape with a star-filled sky above it. In the middle is the protagonist, a woman with blue eyes wearing a green suit, a cloak, and a mask covering her face. She holds an astronaut helmet in her left arm, and two snakes. On the left and right sides of the cover are symetrical green snake-like patterns. The title is displayed above the character, and the author's name at the bottom.

    The Color of Time

    May 19
  • Cover image for Fire Power, a novel by Mir Benitz. Image shows two people in racing gear, holding their helmets in front of them—one is a blonde-haired woman in a red suit with embroidered patches; the other is a dark-haired man in a black and gold suit with a family coat of arms on the chest. Behind the title is a pair of red dragon's wings.

    Fire Power

    September 1
  • A mermaid with glowing eyes and tentacle-like hair curling around a human girl, while seaweed and coral obscure them from view.

    Endless Blue Beneath

    June 9
  • Book cover for We Sent Them Down Singing by Libby Edwardson. Font in black with an image of a yellow canary with a black hole in its stomach, overlaid over mountains and trees in blue, gray, and black. White background.

    We Sent Them Down Singing

    July 21
  • Cover for The Saw Mouth, showing a long black ethereal monster with dripping teeth looming behind a car driving down a country road framed by dead trees reaching over it. The background is orange and the monster is black.

    The Saw Mouth

    May 12
  • Cover for How the story goes, featuring a stack of four books against a night sky with the words "How the Story Goes" cascading down their different colored covers at angles. The edges of the books' pages include simple images of a castle, a hand writing, and a couple walking hand in hand, as well as decorative fall leaves and birds.

    How the Story Goes

    May 5
  • A beige book cover with bright, multicolored block letters and hot pink doodles of a heart, a lightning bolt, and the crossed-out letters from a nostalgic M.A.S.H. game. The title reads “The MASH Up” and the words “a novel” are circled beneath it in pink. The author’s name, Laura Marie Meyers, is in a blue script font along the bottom, and at the top, in pink text, is a blurb from author Emily Giffin, which reads, “An irresistible, page-turning treat from first laugh to last swoon.”

    The MASH Up

    July 7
  • Cover of THE PATRON SAINT OF WHITE MENAGERIES by Lauren T. Davila. It is a dark cover, featuring a tan woman's hand behind the white text. She is grasping a white peacock feather and there are orange, purple, and red flowers surrounding her and the feather.

    The Patron Saint of White Menageries

    September 1
  • Cover for Cut to the Ending, showing a M/F illustrated couple embracing against a blue background. She is a white woman with red hair wearing a burgundy shirt, brown skirt, and purple tights and is holding his face. He is a white man with brown hair wearing jeans and a flannel with a robed action figure in his shirt pocket. The book title and author's name (Maria Millage) written in yellow font.

    Cut to the Ending

    November 3
  • Cover the The Haunting of Lavender House, showing a white woman with shoulder-length dark hair looking out from the window of a house. The house has teal-green shutters, and the wall around it is also teal-green. The woman is wearing a lavender colored dress and she is looking over her shoulder at the viewer. In her hands, she is holding a bundle of lavender. Behind her, a dark silhouette of a person looms. The area around her, in the house, is colored an ominous bright red. Along the top and bottom of the cover are embroidered vines and flowers, resembling lavender. The book title is written in a bold, white font.

    The Haunting of Lavender House

    October 20
  • Book cover of Cosmic Goodness: Surrendering the Shadows to Live in the Light by Cassidy Gard, foreword by Mariel Hemingway. The design features a modern reinterpretation of Botticelli’s Birth of Venus, showing Venus standing in a seashell against a surreal desert landscape with pink, orange, and purple tones beneath a cloudy blue sky. At the top of the cover, a white endorsement blurb from Mark Watts of the Alan Watts Organization, appears. The title “Cosmic Goodness” is in large golden-yellow letters, with the subtitle and author’s name in white and magenta text below. “Foreword by Mariel Hemingway” appears at the bottom. The overall composition conveys themes of transformation, renewal, and self-discovery.

    Cosmic Goodness: Surrendering the Shadows to Live in the Light

    May 12
  • Cover for Last Kiss of Summer, showing a watercolor sunset. The sun is golden yellow and shaped like a heart and the bottom of it is sinking into a turquoise ocean. The tag line at the top reads 'Nothing breaks like a heart' in a light yellow font that matches the light yellow color of the title, which is all lower cased above the heart.

    Last Kiss of Summer

    April 28
  • Cover for I Was a Teenage Death God showing an illustration of a masculine-presenting teenager in shadow, embracing a vaguely human-shaped entity made of bright colors and light that appear to be disintegrating in their arms. They are surrounded by a flurry of whimsical ghosts with various facial expressions. The title is written in a thick, brightly-colored font and the author's name is scrawled on the sleeve of the teenager's denim jacket.

    I Was a Teenage Death God

    March 3
  • Cover for The Cloak and Dagger Club, showing a 1930s woman holding a bleeding pen over an Art Deco background. She has red hair and a green dress. The book title and the author's name, Jackie McMahon, are written in a vintage font. The tagline is: No one knows more about murder than a mystery writer.

    The Cloak and Dagger Club

    July 14
  • Cover for The Survivor. It shows subway train speeding past a platform, the motion fast enough to blur the details. There is the book title, the author's name, and a quote from Mark Greaney that reads, "an absolute delight to read a thriller this damn good."

    The Survivor

    March 24
  • Cover for The Greatest Game. A woman with blonde hair stands in front of an African American man as they stare defiantly at each other. They wear sports clothes and their whistles are tangled together. In the background is a soccer field with a goal and soccer ball.

    The Greatest Game

    May 5
  • Cover for the novel Ghost Orchid, showing an evening swamp scene with a shack on stilts standing in the swamp in the background, its windows glowing with light. A heron wades across the swamp in the foreground, and the scene is framed by mossy trees.

    Ghost Orchid

    September 22
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