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2026 Debut Books

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Showing 121–140 of 283 resultsSorted by price: low to high

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  • Cover for THE BONE BRIDES, by Marley Rose-Teter. The cover’s main color palate is glowy blues and aquas and features two girls holding hands while standing face-forward. One girl has a missing eye and a place her torso reveals instead a ribcage. The other girl has a hand that has become skeletal. In a satchel the second girl wears sits a skeleton-rabbit. Behind the girls looms a large skeleton-deer, with one antler replaced by vines. Very moody and atmospheric. The book has pale-green sprayed edges, stenciled with deer skulls and the same antler/vine combination.

    The Bone Brides

    September 29
  • Cover for This House Will Feed, showing an aristocratic stone manor from the 1600-1700s at the top of the cover, bathes in fog that rises from the fog-draped silhouette of a ghostly woman. The colors bleed from dark pink, to purple, to dark cyan, to black in the background. The author's name is placed at the top, and the title is placed over top of the ghostly silhouette.

    This House Will Feed

    January 27
  • Cover for Abby Offsides, showing a woman in a red shirt holding up a red scarf as she looks out over a packed football stadium on a starry night. Down on the pitch, a solitary man in a red uniform kicks a ball. The book title and author's name, Anna McCallie, are written in bold, blocky letters.

    Abby Offsides

    June 23
  • Cover for Champion of the Rose: Volume 1, showing Rey, a seventeen-year-old trans swordsman in the heat of battle. He's surrounded by sharp swords from all over the world. Rey wears a suit of armor and a large rose in bloom, over his heart. Colourful confetti falls around him. The book's title and author names for Cat Aquino and Dominique Duran are set in metallic gold.

    Champion of the Rose: Volume 1

    July 14
  • Cover for the novel Ghost Orchid, showing an evening swamp scene with a shack on stilts standing in the swamp in the background, its windows glowing with light. A heron wades across the swamp in the foreground, and the scene is framed by mossy trees.

    Ghost Orchid

    September 22
  • Cover for The Greatest Game. A woman with blonde hair stands in front of an African American man as they stare defiantly at each other. They wear sports clothes and their whistles are tangled together. In the background is a soccer field with a goal and soccer ball.

    The Greatest Game

    May 5
  • Cover for The Survivor. It shows subway train speeding past a platform, the motion fast enough to blur the details. There is the book title, the author's name, and a quote from Mark Greaney that reads, "an absolute delight to read a thriller this damn good."

    The Survivor

    March 24
  • Cover for The Cloak and Dagger Club, showing a 1930s woman holding a bleeding pen over an Art Deco background. She has red hair and a green dress. The book title and the author's name, Jackie McMahon, are written in a vintage font. The tagline is: No one knows more about murder than a mystery writer.

    The Cloak and Dagger Club

    July 14
  • Cover for I Was a Teenage Death God showing an illustration of a masculine-presenting teenager in shadow, embracing a vaguely human-shaped entity made of bright colors and light that appear to be disintegrating in their arms. They are surrounded by a flurry of whimsical ghosts with various facial expressions. The title is written in a thick, brightly-colored font and the author's name is scrawled on the sleeve of the teenager's denim jacket.

    I Was a Teenage Death God

    March 3
  • Cover for Last Kiss of Summer, showing a watercolor sunset. The sun is golden yellow and shaped like a heart and the bottom of it is sinking into a turquoise ocean. The tag line at the top reads 'Nothing breaks like a heart' in a light yellow font that matches the light yellow color of the title, which is all lower cased above the heart.

    Last Kiss of Summer

    April 28
  • Book cover of Cosmic Goodness: Surrendering the Shadows to Live in the Light by Cassidy Gard, foreword by Mariel Hemingway. The design features a modern reinterpretation of Botticelli’s Birth of Venus, showing Venus standing in a seashell against a surreal desert landscape with pink, orange, and purple tones beneath a cloudy blue sky. At the top of the cover, a white endorsement blurb from Mark Watts of the Alan Watts Organization, appears. The title “Cosmic Goodness” is in large golden-yellow letters, with the subtitle and author’s name in white and magenta text below. “Foreword by Mariel Hemingway” appears at the bottom. The overall composition conveys themes of transformation, renewal, and self-discovery.

    Cosmic Goodness: Surrendering the Shadows to Live in the Light

    May 12
  • Cover the The Haunting of Lavender House, showing a white woman with shoulder-length dark hair looking out from the window of a house. The house has teal-green shutters, and the wall around it is also teal-green. The woman is wearing a lavender colored dress and she is looking over her shoulder at the viewer. In her hands, she is holding a bundle of lavender. Behind her, a dark silhouette of a person looms. The area around her, in the house, is colored an ominous bright red. Along the top and bottom of the cover are embroidered vines and flowers, resembling lavender. The book title is written in a bold, white font.

    The Haunting of Lavender House

    October 20
  • Cover for Cut to the Ending, showing a M/F illustrated couple embracing against a blue background. She is a white woman with red hair wearing a burgundy shirt, brown skirt, and purple tights and is holding his face. He is a white man with brown hair wearing jeans and a flannel with a robed action figure in his shirt pocket. The book title and author's name (Maria Millage) written in yellow font.

    Cut to the Ending

    November 3
  • Cover of THE PATRON SAINT OF WHITE MENAGERIES by Lauren T. Davila. It is a dark cover, featuring a tan woman's hand behind the white text. She is grasping a white peacock feather and there are orange, purple, and red flowers surrounding her and the feather.

    The Patron Saint of White Menageries

    September 1
  • A beige book cover with bright, multicolored block letters and hot pink doodles of a heart, a lightning bolt, and the crossed-out letters from a nostalgic M.A.S.H. game. The title reads “The MASH Up” and the words “a novel” are circled beneath it in pink. The author’s name, Laura Marie Meyers, is in a blue script font along the bottom, and at the top, in pink text, is a blurb from author Emily Giffin, which reads, “An irresistible, page-turning treat from first laugh to last swoon.”

    The MASH Up

    July 7
  • Cover for How the story goes, featuring a stack of four books against a night sky with the words "How the Story Goes" cascading down their different colored covers at angles. The edges of the books' pages include simple images of a castle, a hand writing, and a couple walking hand in hand, as well as decorative fall leaves and birds.

    How the Story Goes

    May 5
  • Cover for The Saw Mouth, showing a long black ethereal monster with dripping teeth looming behind a car driving down a country road framed by dead trees reaching over it. The background is orange and the monster is black.

    The Saw Mouth

    May 12
  • Blue placeholder image that reads "Cover coming soon!"

    We Sent Them Down Singing

    July 21
  • A mermaid with glowing eyes and tentacle-like hair curling around a human girl, while seaweed and coral obscure them from view.

    Endless Blue Beneath

    June 9
  • Cover image for Fire Power, a novel by Mir Benitz. Image shows two people in racing gear, holding their helmets in front of them—one is a blonde-haired woman in a red suit with embroidered patches; the other is a dark-haired man in a black and gold suit with a family coat of arms on the chest. Behind the title is a pair of red dragon's wings.

    Fire Power

    September 1
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A simple illustration of an open book with 2026 written on the pages.

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