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2026 Debut Books

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05-MentalHealth

Showing 1–20 of 65 resultsSorted by price: high to low

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  • Cover for Fire and Death, showing a gilded bronze fire with cracks and blue symbols coming out of it, with fire underneath. ‘Through shadows and sunlight, everything was hiding. The truth hadn’t changed. But I did’ is written at the top. The title is written in semi-dramatic font, and this is book one of the Fire and Water series.

    Fire and Death

    September 22
  • Cover for No Higher Ground, showing brownish yellow floodwater with a house in the background. There is a floating tree branch and some leaves. The title is in white thriller-style sans serif font with the bottom of some letters submerged in the water.

    No Higher Ground

    August 11
  • Cover for The Stolen Women: A Novel by Alysandra Dutton, which is a moody blue with two orange vector illustration silhouettes of Roman women reaching and swooning, evoking paintings of the Sabine women from the past.

    The Stolen Women

    October 27
  • Cover for Beneath the Edelweiss by Elizabeth Noel. The cover is split into a lower and upper section. The upper section shows a mountain scenes with two figures moving toward the peaks and the lower shows mountain herbs and a hand drawn edelweiss with notes around it.

    Beneath the Edelweiss

    October 20
  • Book cover for From Beijing, With Love by Bei Lin, showing an illustration of two men holding hands with the Great Wall of China in the backdrop. The book title is written in a cursive font. The author name, Bei Lin, is on the bottom of the illustration.

    From Beijing, With Love

    September 29
  • Cover for No Man’s Daughter showing a woman with olive skin and dark hair, in frontier clothing, and holding a rifle with glowing runes. The background depicts trees and antlered phantom giants. The book title and the author's name, Justine Lombardi, are written in Nordic font.

    No Man’s Daughter

    June 2
  • Cover for The Love Code, a STEM romance novel by Connie Kitson, featuring an illustration of a young man and woman, dressed in office work attire, standing back-to-back, holding their own laptops, looking back at each other. The book title is written in large, white, capitalised block letters, on a pink background.

    The Love Code

    November 19
  • Cover for Rage of the Wiled, showing atmospheric background with dense, shadowy blue-green foliage bordered in metallic gold vines. From the top dangles a gold spider. A gold fox is centered beneath the large serif title: Rage of the Wiled. Revey Galaer is centered at the cover's bottom.

    Rage of the Wiled

    October 27
  • Cover for Copper Breadcrumbs shows a background of shining copper pennies. In the foreground there are two silhouettes, a short teenager facing a menacing knight silhouette holding a sharp sword menacingly in his direction. The book title and author's name, James Edgar, are written in block copper font.

    Copper Breadcrumbs

    June 11
  • Cover of The Mess That Made Them by Ryan T. Pozzi.

    The Mess That Made Them: How History’s Greatest Artists Failed, Floundered, and Made Something Brilliant Anyway

    September 3
  • Cover for Working Well, showing three paper clips, blue, white, and green, interconnected on an orange background. The book title and author’s name are in bold font and the subtitle is in white font.

    Working Well: How to Build a Happier, Healthier Workplace Through the Science of Attunement

    March 24
  • Cover for The Last Telegram of Mrs. Hudson, showing an illustrated Victorian London street with black lampposts and horse-drawn carriage against a graduated vibrant blue background. There are the illustrated silhouettes of two women in long, ornate Victorian dresses in the middle. The book title is in bold white font, and the author's name is in light pink, as are other details on the cover such as the lights of the lampposts. Black and light blue envelopes swirl across the scene, and one of the women is holding a solitary pink envelope.

    The Last Telegram of Mrs. Hudson

    September 3
  • Cover for The Moonsingers, with a dark teal background, showing a wooden door bearing a fancy knocker and letterbox, opening onto golden light. Around the door are oak branches and a few mushrooms, and in the four corners of the cover are: a full moon; a set of letters including a train ticket; a commonplace book with a foundation pen; and a sprig of lilies of the valley. The title is in golden text across the middle of the cover image.

    The Moonsingers

    July 14
  • Blue placeholder image that reads "Cover coming soon!"

    We, the Missing

    September 29
  • Cover for The Fire Walker, showing two illustrated characters - Appa and his son Velan- and a temple Kovil gopuram. The characters are wearing traditional shirts and are against a blue and magenta twilight background, with stars in the sky. Fiery sparks and the stars glow the scene. The book’s title, the author’s name, Ainkaran Sivaaji, and the illustrator’s name, N. Dejeshwini, are written in a bright artistic font.

    The Fire Walker

    September 15
  • Cover for The Fourth Wife showing a woman dressed in white, sitting staring at the reading. The vibes are dark with a hot pink, Gothic lettering for the title.

    The Fourth Wife

    March 31
  • Cover for Fleet of Wonders, showing an ornate ship-of-the-line on tossing seas against a sunrise. Surrounding the rising sun is a decorative circular gold motif reminiscent of a compass or a clock; toward the top of the cover, this gold motif connects with a decorative rectangular frame for the cover, adorned with three gold-outlined blue and purple Atropa belladonna flowers. Sea hawks swoop through the air, silhouetted by the sun.

    Fleet of Wonders

    October 27
  • Cover for Blood Bound, showing a blue and red cover with a decorative dragon and winged-panther flying towards each other.

    Blood Bound

    May 7
  • Cover for The Found Object Society, showing a tangled, green vine image with various objects hidden throughout: a QR code, a hand, a ring, a perfume bottle, a cigarette lighter, glasses, a bank vault door, along with the title and author name in a yellow font.

    The Found Object Society

    February 19
  • A young woman stands hunched over a dark desk in the bottom half of the picture. Her face is hidden behind shoulder-length golden-blonde hair with strawberry undertones. Her dress is long with pink and blue accents, but leaves her shoulders and upper back exposed. A white, smoke-like fog rises off her and into the painted portrait behind her, which holds a young figure in white with a malicious glint in their eye and a wicked smile. The frame is curved and wooden, and the backdrop of the portrait is an ominous purple smoke. At the bottom of the image is the title "This Wretched Beauty" in a large, elegant font, as well as the words "A Dorian Gray Remix" framed beneath it in a smaller, sleeker font. At the top of the page is the name "Elle Grenier" in the same font as "A Dorian Gray Remix."

    This Wretched Beauty

    February 17
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A simple illustration of an open book with 2026 written on the pages.

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